一个年青人在父母不同的文化背景中交战。母亲是过着无休生活的俄罗斯人，父亲则是外冷内热，不想儿子受着恩宠长大的典型以色列人。那年青人在偶然机会遇上令他一见倾心的舞蹈才女，并带领他从舞蹈中化解家庭的文化差异。而他们的舞蹈老师亦从年青人身上学懂了战胜自己的心魔。

一对忠实的夫妇的安静的周末发生了奇怪的转折，一个噩梦般的疯狂邪教领导人要去成天启预言。。。

One has to be brave enough to accept loosing old self for the sake of growing up. Kira becomes adult briskly, watching her family and soviet childhood smashing into pieces. So does Ukraine in the early 90th, launching painful process of transformation into an independent country.

"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

拉斯维加斯，世界著名的赌城，多少人成就梦想以及梦想破灭之地。然而，除了灯红酒绿的赌场与香飘四处的酒精之外，这里的摩托车冠军赛也极大地吸引着欲以此成就梦想的众多年轻人。激情四溢的卡莱尔兄弟便是此项赛事的众多拥趸之中的一双。然而，最近他们却遇到了相当的麻烦。而困难不仅仅在赛场上，父亲的不幸离世令兄弟二人整日与悲痛做伴，面对即将到来的摩托车冠军赛已是激情不再。

法国新导演安托万·胡斯巴克的新片，是他的社会阶段三部曲第一部，讲一位失业中年大叔，找不到工作一步步抑郁到想自杀的故事，丧到触底。剧本和整体的叙事节奏很出色，像剧作和主题层面上史蒂芬·布塞和达内兄弟的混合体。

暂无简介

A misfit group of New Mexico cowboys find themselves on the journey of a lifetime when their crooked-footed racehorse qualifies for the Kentucky Derby. Based on the inspiring true story of Mine That Bird, the cowboys face a series of mishaps on their way to Churchill Downs, becoming the ultimate underdogs in a final showdown with the world's racing elite.

Ruth Paxton’s women-led horror sees a mother tested when her daughter insists that her body is no longer her own, but in service to a higher power.

康斯坦丁（奇诺•李维斯 Keanu Reeves 饰）生来就能看出游走在人间的恶魔与天使，这令年幼时的他十分痛苦，曾经自杀想以这种方式结束自己的痛苦。后来获悉了上帝与撒旦之间有过协议，谁也不能直接插足人间，只能间接诱使人们选择天堂与地狱，而自杀者不得上天堂，他便开始利用自己天赋的超能力帮助铲除人间的恶魔，以此祈求获得一张天堂的门票。

国家地理即将推出的6集纪录片系列《摄影师》由奥斯卡奖和艾美奖获奖电影制作人伊丽莎白·柴·瓦沙瑞莉和金国威制作，将于2024年3月18日在国家地理频道首播，并于3月19日在Disney+和Hulu上播出。

在这个世界里每个人都有与生俱来的频率。究竟什么能决定你的命运？